Happy Birthday
Aug. 24th, 2009 12:01 am![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
· Orphaeus and Cadmus make their way to Orphaeus’ musical theatre and part-time home in San Francisco so that Orphaeus can get his affairs in order. Cadmus finally meets Orphaeus’ Tribe: Genevieve, Hercules, Lolita, and the eternally strange Persephone. While there Orphaeus and Cadmus collaborate on a musical performance to see how well their psychic influence on others can be combined. This chapter will focus mainly on how the performer can pull the audience in and take over the Will of a group mentality.
May, 1993 - Stratford ... have been reading through the poetry of 15th century Spain, and I find myself drawn to one by the mystic writer and visionary St. John of the Cross; the untitled work is an exquisite, richly metaphoric love poem between himself and his god. It could pass as a love poem between any two at any time ... His approach seems more akin to early Islamic or Judaic works in its more direct route to communication to his god ... I have gone over three different translations of the poem, and am struck by how much a translation can alter our interpretation. Am reminded that most holy scriptures come to us in translation, resulting in a diversity of views.
Music by Loreena McKennitt
Lyrics by St. John of the Cross (San Juan de la Cruz), arr. and adapted by Loreena McKennitt
From: The mask and mirror (1994).
Shrouded by the night
and by the secret stair I quickly fled
The veil concealed my eyes
while all within lay quiet as the dead
Chorus
Oh night thou was my guide
oh night more loving than the rising sun
Oh night that joined the lover
to the beloved one
transforming each of them into the other
Upon that misty night
in secrecy, beyond such mortal sight
Without a guide or light
than that which burned so deeply in my heart
That fire t'was led me on
and shone more bright than of the midday sun
To where he waited still
it was a place where no one else could come
Chorus
Within my pounding heart
which kept itself entirely for him
He fell into his sleep
beneath the cedars all my love I gave
And by the fortress walls
the wind would brush his hair against his brow
And with its smoothest hand
caressed my every sense it would allow
Chorus
I lost myself to him
and laid my face upon my lovers breast
And care and grief grew dim
as in the mornings mist became the light
There they dimmed amongst the lilies fair
There they dimmed amongst the lilies fair
There they dimmed amongst the lilies fair
THE BLOOD CROWN OUTLINE
BASIC OUTLINE OF THE PLOT OF THE
SECOND INSTALLMENT OF THE VAMPIRE RELICS.
Basic plot: Cadmus Pariah and Orphaeus Cygnus grudgingly team up to take a Vampire Relic called the Blood Crown away from the Apostate, who is hidden in the catacombs beneath the Vatican. But they need the secrets of ancient Tarmian history and natural magick on their side in order to ever hope for success.
Prologue
· Sets the tone of the story
The Veiled Sanctuary
· Cadmus comes to visit his mother Kelat in her hidden home in Jerusalem. He tells her of a Vampire Relic called the Blood Crown and how he intends to reclaim it from the Apostate.
Mother of Memory
· Kelat joins minds with Cadmus to show him the Ancient Alien Elfin Days of Tarmian Earth and how the first warnings of a human student of the Tarmian Magickal Arts had gone rogue and was threatening everything the Tarmi had worked for with their human charges. The story of Pretani Kelat’Menan, Kelat’s mother is told.
The Dragon and the Swan
· Kelat reveals that Cadmus is to travel to Rome with his most despised Nemesis Orphaeus Cygnus. A battle of Wills ensues until Orphaeus arrives at the Veiled Sanctuary, where plans begin to unfold.
The Tale of Mary Magdalene
· Needing to get their personal affairs in order, Cadmus and Orphaeus first travel to the West Country of England to deal with Cadmus devotee and former band mate in Magnificat, Mary Magdalene. We learn about her history, how she came to be devoted to and fall in love with Cadmus, and what Cadmus does to rectify the situation.
(chapter driven by ‘Blood of Eden’ by Peter Gabriel)